Bigger Bach Set

专辑歌曲列表

发行时间：2013-03-26

Transcribed in the Light of Harpsichord Technique (Bach's "Chromatic Fantasy & Fugue"), for piano: i. Chromatic Fantasia (BWV903) - James Friskin
Transcribed in the Light of Harpsichord Technique (Bach's "Chromatic Fantasy & Fugue"), for piano: ii. Fugue (BWV948) - James Friskin
Italian Concerto, BWV971: i. Allegro - James Friskin
Italian Concerto, BWV971: ii. Andante - James Friskin
Italian Concerto, BWV971: iii. Presto - James Friskin
Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: i. Arioso (Adagio): Ist eine Schmeichelung der Freunde, um denselben von seiner Reise abzuhalten (His friends try to persuade him not to undertake the journey) - James Friskin
Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: ii. Andante: Ist eine Vorstellung unterschiedlicher Casuum, die ihm in der Fremde konnten vorfallen (They tell him of the various misfortunes that may befall him abroad) - James Friskin
Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: iii. Adagiosissimo: Ist ein allgemeines Lamento der Freunde (The general lament of his friends) - James Friskin
Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: iv. Allhier kommen die Freunde (weil sie doch sehen, daß es sanders nicht sein kann) und nehmen Abschied (His friends come, since they see that it must be) - James Friskin
Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: v. Allegro poco: Aria di Postiglione - James Friskin
Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: vi. Fuga all' imitatione della cornetta di Postiglione - James Friskin
Sonatina, from Cantata No. 106 "Gottes Zeit ist die allerbeste Zeit (Trinity), BWV106," arr. Friskin - James Friskin
Toccata in C Minor, BWV911 - James Friskin
French Suite No. 3 in B Minor BWV814: i. Allemande - James Friskin
French Suite No. 3 in B Minor BWV814: ii. Courante - James Friskin
French Suite No. 3 in B Minor BWV814: iii. Sarabande - James Friskin
French Suite No. 3 in B Minor BWV814: iv. Menuet and Trio - James Friskin
French Suite No. 3 in B Minor BWV814: v. Gavotte - James Friskin
French Suite No. 3 in B Minor BWV814: vi. Gigue - James Friskin
French Suite No. 4 in E-flat Major, BWV815: i. Allemande - James Friskin
French Suite No. 4 in E-flat Major, BWV815: ii. Courante - James Friskin
French Suite No. 4 in E-flat Major, BWV815: iii. Sarabande - James Friskin
French Suite No. 4 in E-flat Major, BWV815: iv. Gavotte - James Friskin
French Suite No. 4 in E-flat Major, BWV815: v. Air - James Friskin
French Suite No. 4 in E-flat Major, BWV815: vi. Menuet - James Friskin
French Suite No. 4 in E-flat Major, BWV815: vii. Gigue - James Friskin
Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: i. Chorus: Wachet auf, ruft uns die Stimme - Felix Prohaska
Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: ii. Recitative (Tenor): Er kommt, er kommt, der Bräutigam kommt - Felix Prohaska
Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: iii. Duet (Soprano, Bass): Wenn kömmst du, mein Heil - Anny Felbermeyer
Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: iv. Chorus: Zion hört die Wächter singen ('Sleeper's Awake') - Choir of The Bach Guild
Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: v. Recitative (Bass): So geh herein zu mir - Hans Braun
Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: vi. Duet (Soprano, Bass): Mein Freund ist mein! - Anny Felbermeyer
Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: vii. Chorale: Gloria sei dir gesungen - Choir of The Bach Guild
Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: i. Sinfonia in E Minor; Chorus: Christ lag in Todesbanden - Choir of The Bach Guild, Orchestra of The Bach Guild & Felix Prohaska
Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: ii. Duet (Soprano, Alto): Den Tod niemand zwingen kunnt - Anny Felbermeyer, Choir of The Bach Guild, Orchestra of The Bach Guild & Felix Prohaska
Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: iii. Aria (Tenor): Jesus Christus, Gottes Sohn - Alfred Uhl, Choir of The Bach Guild, Orchestra of The Bach Guild & Felix Prohaska
Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: iv. Chorus: Es war ein wunderlicher Krieg - Choir of The Bach Guild, Orchestra of The Bach Guild & Felix Prohaska
Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: v. Aria (Bass): Hier ist das rechte Osterlamm - Hans Braun, Choir of The Bach Guild, Orchestra of The Bach Guild & Felix Prohaska
Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: vi. Duet (Soprano, Tenor): So feiern wir das hohe Fest - Anny Felbermeyer, Alfred Uhl, Choir of The Bach Guild, Orchestra of The Bach Guild & Felix Prohaska
Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: vii. Chorus: Wir essen und leben wohl - Choir of The Bach Guild, Orchestra of The Bach Guild & Felix Prohaska
Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: i. Chorale: Das neugeborne Kindelein - Vienna State Opera Orchestra, Vienna Chamber Choir & Michael Gielen
Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: ii. Aria (Bass): O Menschen, die ihr täglich sündigt - Harald Hermann, Vienna State Opera Orchestra, Vienna Chamber Choir & Michael Gielen
Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: iii. Recitative and Chorale (Soprano): Die Engel, welche sich zuvor - Margit Opawsky, Vienna State Opera Orchestra, Vienna Chamber Choir & Michael Gielen
Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: 044 iv. Chorale (Alto) and Duet (Soprano, Tenor): Ist Gott versöhnt - Hilde Rossl-Majdan, Vienna State Opera Orchestra, Vienna Chamber Choir & Michael Gielen
Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: v. Recitative (Bass): Dies ist ein Tag, den selbst der Herr gemacht - Harald Hermann, Vienna State Opera Orchestra, Vienna Chamber Choir & Michael Gielen
Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: vi. Chorale: Es bringt das rechte Jubeljahr - Vienna State Opera Orchestra, Vienna Chamber Choir & Michael Gielen
Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: i. Chorale: Ich freue mich in dir - Vienna State Opera Orchestra, Vienna Chamber Choir & Michael Gielen
Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: ii. Aria (Alto): Getrost! es faßt ein heilger Leib - Hilde Rossl-Majdan, Vienna State Opera Orchestra, Vienna Chamber Choir & Michael Gielen
Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: iii. Recitativo (Tenor): Ein Adam mag sich voller Schrecken - Waldemar Kmett, Vienna State Opera Orchestra, Vienna Chamber Choir & Michael Gielen
Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: iv. Aria (Soprano): Wie lieblich klingt es in den Ohren - VMargit Opawsky, ienna State Opera Orchestra, Vienna Chamber Choir & Michael Gielen
Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: v. Recitative (Bass): Wohlan, des Todes Furcht und Schmerz - Harald Hermann, Vienna State Opera Orchestra, Vienna Chamber Choir & Michael Gielen
Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: vi. Chorale: Wohlan, so will ich mich - Vienna State Opera Orchestra, Vienna Chamber Choir & Michael Gielen
Magnificat in D, BWV243: i. Coro: Magnificat anima mea - Vienna State Opera Orchestra, Vienna Chamber Choir & Felix Prohaska
Magnificat in D, BWV243: ii. Aria: Et exsultavit spiritus meus - Margaret Sjostedt, Vienna State Opera Orchestra, Vienna Chamber Choir & Felix Prohaska
Magnificat in D, BWV243: iii. Aria: Quia respexit humilitatem - Mimi Coertse, Vienna State Opera Orchestra, Vienna Chamber Choir & Felix Prohaska
Magnificat in D, BWV243: iv. Coro: Omnes generationes - Vienna State Opera Orchestra, Vienna Chamber Choir & Felix Prohaska
Magnificat in D, BWV243: v. Aria: Quia fecit mihi magna - Frederic Guthrie, Vienna State Opera Orchestra, Vienna Chamber Choir & Felix Prohaska
Magnificat in D, BWV243: vi. Duetto: Et misericordia - Hilde Rossl-Majdan, Anton Dermota, Vienna State Opera Orchestra, Vienna Chamber Choir & Felix Prohaska
Magnificat in D, BWV243: vii. Coro: Fecit potentiam - Vienna State Opera Orchestra, Vienna Chamber Choir & Felix Prohaska
Magnificat in D, BWV243: viii. Aria: Deposuit potentes - Anton Dermota, Vienna State Opera Orchestra, Vienna Chamber Choir & Felix Prohaska
Magnificat in D, BWV243: ix. Aria: Esurientes implevit bonis - Hilde Rossl-Majdan, Vienna State Opera Orchestra, Vienna Chamber Choir & Felix Prohaska
Magnificat in D, BWV243: x. Terzetto: Suscepit Israel - Margaret Sjostedt, Mimi Coertse, Hilde Rossl-Majdan, Vienna State Opera Orchestra, Vienna Chamber Choir & Felix Prohaska
Magnificat in D, BWV243: xi. Coro: Sicut locutus est - Vienna State Opera Orchestra, Vienna Chamber Choir & Felix Prohaska
Magnificat in D, BWV243: xii. Coro: Gloria Patri - Vienna State Opera Orchestra, Vienna Chamber Choir & Felix Prohaska
Sonata No. 1 in B Minor for Violin and Harpsichord, BWV 1014: i. Adagio - James Buswell & Fernando Valenti
Sonata No. 1 in B Minor for Violin and Harpsichord, BWV 1014: ii. Allegro - James Buswell & Fernando Valenti
Sonata No. 1 in B Minor for Violin and Harpsichord, BWV 1014: iii. Andante - James Buswell & Fernando Valenti
Sonata No. 1 in B Minor for Violin and Harpsichord, BWV 1014: iv. Allegro - James Buswell & Fernando Valenti
Sonata No. 2 in A Major for Violin and Harpsichord Sonata, BWV 1015: i. Adagio - James Buswell & Fernando Valenti
Sonata No. 2 in A Major for Violin and Harpsichord Sonata, BWV 1015: ii. Allegro assai - James Buswell & Fernando Valenti
Sonata No. 2 in A Major for Violin and Harpsichord Sonata, BWV 1015: iii. Andante un poco - James Buswell & Fernando Valenti
No. 2 in A Major for Violin and Harpsichord Sonata, BWV 1015: iv. Presto - James Buswell & Fernando Valenti
Sonata No. 3 in E Major for Violin and Harpsichord, BWV 1016: i. Adagio - James Buswell & Fernando Valenti
Sonata No. 3 in E Major for Violin and Harpsichord, BWV 1016: ii. Allegro - James Buswell & Fernando Valenti
Sonata No. 3 in E Major for Violin and Harpsichord, BWV 1016: iii. Adagio ma non tanto - James Buswell & Fernando Valenti
Sonata No. 3 in E Major for Violin and Harpsichord, BWV 1016: iv. Allegro - James Buswell & Fernando Valenti
Sonata No. 4 in C Minor for Violin and Harpsichord, BWV 1017: i. Siciliano - James Buswell & Fernando Valenti
Sonata No. 4 in C Minor for Violin and Harpsichord, BWV 1017: ii. Allegro - James Buswell & Fernando Valenti
Sonata No. 4 in C Minor for Violin and Harpsichord, BWV 1017: iii. Adagio - James Buswell & Fernando Valenti
Sonata No. 4 in C Minor for Violin and Harpsichord, BWV 1017: iv. Allegro - James Buswell & Fernando Valenti
Sonata No. 5 in F Minor for Violin and Harpsichord, BWV 1018: i. Largo - James Buswell & Fernando Valenti
Sonata No. 5 in F Minor for Violin and Harpsichord, BWV 1018: ii. Allegro - James Buswell & Fernando Valenti
Sonata No. 5 in F Minor for Violin and Harpsichord, BWV 1018: iii. Adagio - James Buswell & Fernando Valenti
Sonata No. 5 in F Minor for Violin and Harpsichord, BWV 1018: iv. Vivace - James Buswell & Fernando Valenti
Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: i. Allegro - James Buswell & Fernando Valenti
Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: ii. Largo - James Buswell & Fernando Valenti
Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: iii. Allegro - James Buswell & Fernando Valenti
Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: iv. Adagio - James Buswell & Fernando Valenti
Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: v. Allegro - James Buswell & Fernando Valenti
Passion According to St. Matthew, BWV 244: 1. Chorus: Kommt, ihr Töchter, helft mir klagen - Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 2. Recitative (Evangelist, Jesus): Da Jesus diese Rede vollendet hatte - Uno Ebrelius, Hans Braun, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 3. Chorale: Herzliebster Jesu, was hast du verbrochen - Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 4. Recitative (Evangelist): Da versammelten sich die Hohenpriester - Uno Ebrelius, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 5. Chorus: Ja nicht auf das Fest - Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 6. Recitative (Evangelist): Da nun Jesus war zu Bethanien - Uno Ebrelius, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 7. Chorus: Wozu dienet dieser Unrath - Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 8. Recitative (Evangelist): Da das Jesus merkete - Uno Ebrelius, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 9. Recitative (Alto): Du lieber Heiland du - Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 10. Aria (Alto): Buß und Reu - Hilde Rossl-Majdan, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 11. Recitative (Evangelist, Judas): Da ging hin der Zwölfen einer - Uno Ebrelius, Friedl Kummer, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 12. Aria (Soprano): Blute nur, du liebes Herz - Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 13. Recitative (Evangelist): Aber am ersten Tage der süßen Brot - Uno Ebrelius, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 14. Chorus: Wo willst du, daß wir dir bere - Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 15. Recitative (Evangelist, Jesus): Er sprach: Gehet hin in die Stadt - Uno Ebrelius, Waldemar Kmentt, Hans Braun, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 16. Chorus: Herr, bin ich's?/ Chorale: Ich bin's, ich sollte büßfen - Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 17. Recitative (Evangelist, Jesus, Judas): Er antwortete und sprach: Der mit der Hand mit mir - U Ebrelius, W Kmentt, F Kummer, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 18. Recitative (Soprano): Wiewohl mein Herz in Tränen schwimmt - Theresa Stich-Randall, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 19. Aria (Soprano): Ich will dir mein Herze schenken - Theresa Stich-Randall, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 20. Recitative (Evangelist, Jesus): Und da sie den Lobgesang gesprochen hatten - Uno Ebrelius, Waldemar Kmentt, Hans Braun, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 21. Chorale: Erkenne mich, mein Hüter - Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 22. Recitative (Evangelist, Peter, Jesus): Petrus aber antwortete und sprach zu ihm - Uno Ebrelius, Waldemar Kmentt, Hans Braun, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 23. Chorale: Ich will hier bei dir stehen - Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 24. Recitative: Da kam Jesus mit ihnen zu einem Hofe - Uno Ebrelius, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 25. Recitative (Tenor, Chorus): O Schmerz! Hier zittert das gequälte Herz - Waldemar Kmentt, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 26. Aria (Tenor, Chorus): Ich will bei meinem Jesu wachen - Waldemar Kmentt, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 27. Recitative (Evangelist, Jesus): Und ging hin ein wenig - Uno Ebrelius, Hans Braun, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 28. Recitative (Bass): Der Heiland fällt vor seinem Vater nieder - Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 29. Aria (Bass): Gerne will ich mich bequemen - Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 30. Recitative (Evangelist, Jesus): Und er kam zu seinen Jüngern - Uno Ebrelius, Hans Braun, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 31. Chorale: Was mein Gott will, das g'scheh allzeit - Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 32. Recitative (Evangelist, Jesus, Judas): Und er kam und fand sie aber schlafend - Uno Ebrelius, Hans Braun, Friedl Kummer, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 33. Duet (Soprano, Alto, with Chorus): So ist mein Jesus nun gefangen / Chorus: Sind Blitze, sind Donner in Wolken verschwunden? - Theresa Stich-Randall, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 34. Recitative (Evangelist, Jesus): Und siehe, einer aus denen, die mit Jesu waren - Hilde Rossl-Majdan, Uno Ebrelius, Hans Braun, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 35. Chorale: O Mensch, bewein dein Sünde groß - Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 36. Aria (Alto) and Chorus: Ach! nun ist mein Jesus hin - Hilde Rossl-Majdan, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 37. Recitative (Evangelist): Die aber Jesum gegriffen hatten - Uno Ebrelius, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 38. Chorale: Mir hat die Welt trüglich gerricht' - Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 39. Recitative (Evangelist, Witnesses, High Priest): Und wiewohl viel falsche Zeugen herzutraten - Uno Ebrelius, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 40. Recitative (Tenor): Mein Jesus schweigt zu falschen Lügen stille - Waldemar Kmentt, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 41. Aria (Tenor): Geduld! Wenn mich falsche Zungen stechen! - Waldemar Kmentt, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 42 Recitative (Evangelist, High Priest, Jesus): Und der Hohepriester antwortete / Chorus: Er ist des Todes schuldig - Uno Ebrelius, Hans Braun, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 43. Recitative (Evangelist): Da speieten sie aus / Chorus: Weissage uns, Christe - Uno Ebrelius, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 44. Chorale: Wer hat dich so geschlagen - Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 45. Recitative (Evangelist, Mary Magdalene, Peter): Petrus aber saß draußen im Palast / Chorus: Wahrlich, du bist auch einer von denen - Uno Ebrelius, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 46. Recitative (Tenor, Bass): Da hub er an, sich zu verfluchen - Waldemar Kmentt, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 47. Aria (Alto): Erbarme dich, mein Gott - Hilde Rossl-Majdan, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 48. Chorale: Bin ich gleich von der gewichen - Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 49. Recitative (Evangelist, Judas): Des Morgens aber hielten alle Hohepriester / Chorus: Was gehet uns das an / Chorus: Was gehet uns das an - Uno Ebrelius, Friedl Kummer, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 50. Recitative (Evangelist, High Priests): Und er warf die Silberlinge in den Tempel - Uno Ebrelius, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 51. Aria (Bass): Gebt mir meinen Jesum wieder - Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 52. Recitative (Evangelist, Pilate, Jesus): Sie hielten aber einen Rat - Uno Ebrelius, Hans Braun, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 53. Chorale: Befiehl du deine Wege - Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 54. Recitative (Evangelist, Pilate, Pilate's Wife): Auf das Fest aber hatte der Landpfleger Gewohnheit / Chorus: Laß ihn kreuzigen! - Uno Ebrelius, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 55. Chorale: Wie wunderbarlich ist doch diese Strafe! - Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 56. Recitative (Evangelist, Pilate): Der Landpfleger sagte - Uno Ebrelius, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 57. Recitative (Soprano): Er hat uns allen wohlgetan - Theresa Stich-Randall, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 58. Aria (Soprano): Aus Liebe will mein Heiland sterben - Theresa Stich-Randall, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 59. Recitative: Sie schrieen aber noch mehr / Chorus: Laß ihn kreuzigen / Recitative: Da aber Pilatus sahe / Chorus: Sein Blut komme über uns / Recitative: Da gab er ihnen Barrabam los - Uno Ebrelius, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 60. Recitative (Alto): Erbarm es Gott! - Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 61. Aria (Alto): Können Tränen meiner Wangen - Hilde Rossl-Majdan, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 62. Recitative (Evangelist): Da nahmen die Kriegsknechte; Chorus: Gegrüßet seist du, Judenkönig - Uno Ebrelius, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 63. Chorale: O Haupt voll Blut und Wunden - Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 64. Recitative (Evangelist): Und da sie ihn verspottet hatten - Uno Ebrelius, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 65. Recitative (Bass): Ja freilich will in uns das Fleisch und Blut - Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 66. Aria (Bass): Komm, süßes Kreuz, so will ich sagen - Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 67. Recitative (Evangelist): Und da sie an die Stätte kamen; / Chorus: Der du den Tempel Gottes zerbrichst - Uno Ebrelius, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 68. Recitative (Evangelist): Desgleichen schmäheten ihn auch die Mörder / Chorus: Andern hat er geholfen - Uno Ebrelius, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 69. Recitative (Alto): Ach Golgatha, unselges Golgatha! - Hilde Rossl-Majdan, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 70. Aria (Alto) and Chorus: Sehet, Jesus hat die Hand - Hilde Rossl-Majdan, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 71. Recitative: Und von der sechsten Stunde an / Chorus: Der rufet dem Elias / Recitative: Und bald lief einer unter ihnen / Chorus: Halt, laß sehen / Recitative: Aber, Jesus schriee - Uno Ebrelius, Hans Braun, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 72. Chorale: Wenn ich einmal soll scheiden - Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 73. Recitative (Evangelist): Und siehe da, der Vorhang im Tempel zerriß / Chorus: Wahrlich, dieser ist Gottes Sohn gewesen / Recitative (Evangelist): Und es waren viel Weiber da - Uno Ebrelius, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 74. Recitative (Bass): Am Abend, da es kühle war - Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 75. Aria (Bass): Mache dich, mein Herze, rein - Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 76. Recitative (Evangelist): Und Joseph nahm den Leib / Chorus: Herr, wir haben gedacht / Recitative: Pilatus sprach zu ihnen - Uno Ebrelius, Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 77. Recitative (Bass, Tenor, Alto, Soprano, Chorus): Nun ist der Herr zur Ruh gebracht - T Stich-Randall, H Rossl-Majdan, W Kmentt, Cham Orch of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Passion According to St. Matthew, BWV 244: 78. Chorus: Wir setzen uns mit Tränen nieder - Chamber Orchestra of Vienna State Opera, Mogens Woldike, Vienna Chamber Choir, Boys Choir of the Schottenstift & Anton Heiller
Sonata in G minor for violin & keyboard, BWV 1020: I. Allegro moderato - Paula Robison
Sonata in G minor for violin & keyboard, BWV 1020: II. Adagio - Paula Robison
Sonata in G minor for violin and keyboard, BWV 1020: III. Allegro - Paula Robison
Sonata in A major for flute and keyboard, BWV 1032: I. Vivace - Paula Robison
Sonata in A major for flute and keyboard, BWV 1032: II. Largo e dolce - Paula Robison
Sonata in A major for flute and keyboard, BWV 1032: III. Allegro - Paula Robison
Partita in A Minor for Solo Flute, BWV 1013: i. Allemande - Paula Robison
Partita in A Minor for Solo Flute, BWV 1013: ii. Corrente - Paula Robison
Partita in A Minor for Solo Flute, BWV 1013: iii. Sarabande - Paula Robison
Partita in A Minor for Solo Flute, BWV 1013: iv. Bourree Anglaise - Paula Robison
Sonata in E Major for Flute and Harpsichord, BWV 1035: i. Adagio ma non tanto - Paula Robison, Timothy Eddy & Kenneth Cooper
Sonata in E Major for Flute and Harpsichord, BWV 1035: ii. Allegro - Paula Robison, Timothy Eddy & Kenneth Cooper
Sonata in E Major for Flute and Harpsichord, BWV 1035: iii. Siciliano - Paula Robison, Timothy Eddy & Kenneth Cooper
Sonata in E Major for Flute and Harpsichord, BWV 1035: iv. Allegro assaid - Paula Robison, Timothy Eddy & Kenneth Cooper
Sonata in C Major for Flute and Basso Continuo, BWV 1033: i. Andante - Presto - Allegro - Paula Robison, Timothy Eddy & Kenneth Cooper
Sonata in C Major for Flute and Basso Continuo, BWV 1033: ii. Adagio - Menuets 1 & 2 - Paula Robison, Timothy Eddy & Kenneth Cooper
Sonata in E Minor for Flute and Basso Continuo, BWV 1034: i. Adagio ma non tanto - Paula Robison, Timothy Eddy & Kenneth Cooper
Sonata in E Minor for Flute and Basso Continuo, BWV 1034: ii. Allegro - Paula Robison, Timothy Eddy & Kenneth Cooper
Sonata in E Minor for Flute and Basso Continuo, BWV 1034: iii. Andante - Paula Robison, Timothy Eddy & Kenneth Cooper
Sonata in E Minor for Flute and Basso Continuo, BWV 1034: iv. Allegro - Paula Robison, Timothy Eddy & Kenneth Cooper
Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: i. Aria (Soprano): Weichet nur, betrubte Schatten - Anny Felbermayer, Choir of the Bach Guild, Orchestra of the Bach Guild & Felix Prohaska
Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: ii. Recitative (Soprano): Die Welt wird wieder neu - Anny Felbermayer, Choir of the Bach Guild, Orchestra of the Bach Guild & Felix Prohaska
Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: iii. Aria (Soprano): Phoebus eilt mit schnellen Pferden - Anny Felbermayer, Choir of the Bach Guild, Orchestra of the Bach Guild & Felix Prohaska
Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: iv. Recitative (Soprano): Drum sucht auch Amor sein Vergnugen - Anny Felbermayer, Choir of the Bach Guild, Orchestra of the Bach Guild & Felix Prohaska
Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: v. Aria (Soprano): Wenn die Fruhlingslufte streichen - Anny Felbermayer, Choir of the Bach Guild, Orchestra of the Bach Guild & Felix Prohaska
Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: vi. Recitative (Soprano): Und dieses ist das Glucke - Anny Felbermayer, Choir of the Bach Guild, Orchestra of the Bach Guild & Felix Prohaska
Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: vii. Aria (Soprano): Sich uben im Lieben, in Scherzen sich herzen - Anny Felbermayer, Choir of the Bach Guild, Orchestra of the Bach Guild & Felix Prohaska
Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: viii. Recitative (Soprano): So wei das Band der keuschen Liebe - Anny Felbermayer, Choir of the Bach Guild, Orchestra of the Bach Guild & Felix Prohaska
Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: ix. Gavotte (Soprano): Sehet in Zufriedenheit tausend helle Wohlfahrstage - Anny Felbermayer, Choir of the Bach Guild, Orchestra of the Bach Guild & Felix Prohaska
Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: i. Sinfonia in B-minor - Theresa Stich-Randall, Vienna State Opera Orchestra & Anton Heiller
Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: ii. Recitative (Soprano): Non sa che sia dolore - Theresa Stich-Randall, Vienna State Opera Orchestra & Anton Heiller
Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: iii. Aria (Soprano): Parti pur, e con dolore - Theresa Stich-Randall, Vienna State Opera Orchestra & Anton Heiller
Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: iv. Recitative (Soprano): Tuo saver al tempo e l'eta contrasta - Theresa Stich-Randall, Vienna State Opera Orchestra & Anton Heiller
Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: v. Aria (Soprano): Ricetti gramezza e pavento - Theresa Stich-Randall, Vienna State Opera Orchestra & Anton Heiller
Cantata No. 51: Jauchzet Gott in allen Landen! (Trinity), BWV51: i. Aria (Soprano): Jauchzet Gott in allen Landen! - Theresa Stich-Randall, Vienna State Opera Orchestra & Anton Heiller
Cantata No. 51: Jauchzet Gott in allen Landen! (Trinity), BWV51: ii. Recitative (Soprano): Wir beten zu dem Tempel an - Theresa Stich-Randall, Vienna State Opera Orchestra & Anton Heiller
Cantata No. 51: Jauchzet Gott in allen Landen! (Trinity), BWV51: iii. Aria (Soprano): Höchster, mache deine Güte - VTheresa Stich-Randall, ienna State Opera Orchestra & Anton Heiller
Cantata No. 51: Jauchzet Gott in allen Landen! (Trinity), BWV51: iv. Chorale and Aria (Soprano): Sei Lob und Preis mit Ehren; Alleluia - Theresa Stich-Randall, Vienna State Opera Orchestra & Anton Heiller
Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: i. Chorus: Ein feste Burg ist unser Gott - English Chamber Orchestra, Johannes Somary & Amor Artis Chorale
Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: ii. Aria with Chorale (Bass, Soprano): Alles, was von Gott geboren - Felicity Palmer, English Chamber Orchestra, Johannes Somary & Amor Artis Chorale
Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: iii. Recitative (Bass): Erwäge doch, Kind Gottes - Michael Rippon, English Chamber Orchestra, Johannes Somary & Amor Artis Chorale
Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: iv. Aria (Soprano): Komm in mein Herzenshaus - Felicity Palmer, English Chamber Orchestra, Johannes Somary & Amor Artis Chorale
Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: v. Chorale: Und wenn die Welt voll Teufel wär - English Chamber Orchestra, Johannes Somary & Amor Artis Chorale
Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: vi. Recitative (Tenor): So stehe dann bei Christi blutgefärbten Fahne - Robert Tear, English Chamber Orchestra, Johannes Somary & Amor Artis Chorale
Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: vii. Duet (Alto, Tenor): Wie selig sind doch die, die Gott im Munde tragen - Helen Watts, Robert Tear, English Chamber Orchestra, Johannes Somary & Amor Artis Chorale
Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: viii. Chorale: Das Wort sie sollen lassen stahn - English Chamber Orchestra, Johannes Somary & Amor Artis Chorale
Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: i. Chorus: Lobet Gott in seinen Reichen - English Chamber Orchestra, Johannes Somary & Amor Artis Chorale
Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: ii. Evangelist (tenor): Der Herr Jesus hub seine Hände auf - Robert Tear, English Chamber Orchestra, Johannes Somary & Amor Artis Chorale
Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: iii. Recitative (bass): Ach, Jesu, ist dein Abschied schon so nah? - English Chamber Orchestra, Johannes Somary & Amor Artis Chorale
Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: iv. Aria (alto): Ach, bleibe doch, mein liebstes Leben - Michael Rippon, English Chamber Orchestra, Johannes Somary & Amor Artis Chorale
Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: v. Evangelist: Und ward aufgehoben zusehends - Helen Watts, Robert Tear, English Chamber Orchestra, Johannes Somary & Amor Artis Chorale
Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: vi. Chorale: Nun lieget alles unter dir - English Chamber Orchestra, Johannes Somary & Amor Artis Chorale
Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: vii. Evangelists (tenor and bass): Und da sie ihm nachsahen gen Himmel fahren - Robert Tear, English Chamber Orchestra, Johannes Somary & Amor Artis Chorale
Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: viii. Recitative (soprano): Ach ja! so komme bald zurück - Felicity Palmer, English Chamber Orchestra, Johannes Somary & Amor Artis Chorale
Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: ix. Evangelist: Sie aber beteten ihn an - Robert Tear, English Chamber Orchestra, Johannes Somary & Amor Artis Chorale
Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: x, Aria (soprano): Jesu, deine Gnadenblicke - Felicity Palmer, English Chamber Orchestra, Johannes Somary & Amor Artis Chorale
Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: xi. Chorale: Wenn soll es doch geschehen - English Chamber Orchestra, Johannes Somary & Amor Artis Chorale
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 1 (a 1 clav.) - James Friskin
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 2 (a 1 clav.) - James Friskin
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 3 (canone all'unisuono a 1 clav.) - James Friskin
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 4 (a 1 clav.) - James Friskin
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 5 (a 1 o vero 2 clav.) - James Friskin
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 6 (canone alla seconda a 1 clav.) - James Friskin
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 7 (a 1 o vero 2 clav., al tempo di giga) - James Friskin
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 8 (a 2 clav.) - James Friskin
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 9 (canone alla terza a 1 clav.) - James Friskin
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 10 (fughetta a 1 clav.) - James Friskin
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 11 (a 2 clav.) - James Friskin
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 12 (canone alla quarta a 1 clav.) - James Friskin
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 13 (a 2 clav.) - James Friskin
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 14 (a 2 clav.) - James Friskin
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 15 (canone alla quinta a 1 clav.: Andante) - James Friskin
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 16 (ouverture a 1 clav.) - James Friskin
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 17 (a 2 clav.) - James Friskin
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 18 (canone alla sexta a 1 clav.) - James Friskin
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 19 (a 1 clav.) - James Friskin
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 20 (a 2 clav.) - James Friskin
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 21 (canone alla settima a 1 clav.) - James Friskin
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 22 (a 1 clav. alla breve) - James Friskin
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 23 (a 2 clav.) - James Friskin
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 24 (canone all'ottava a 1 clav.) - James Friskin
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 25 (a 2 clav.: Adagio) - James Friskin
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 26 (a 2 clav.) - James Friskin
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 27 (canone alla nona a 2 clav.) - James Friskin
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 28 (a 2 clav.) - James Friskin
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 29 (a 1 o vero 2 clav.) - James Friskin
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 30 (quodlibet a 1 clav.) - James Friskin
Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 31 - James Friskin
Goldberg Variations, BWV988 (Clavier-Übung IV): Aria da capo - James Friskin
Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: i. Sinfonia - Akademie Choir, Vienna Chamber Orchestra & Felix Prohaska
Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: ii. Adagio - Akademie Choir, Vienna Chamber Orchestra & Felix Prohaska
Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: iii. Duet (Tenor, Bass) and Chorus: Kommt, eilet und laufe - Kurt Equiluz, Walter Berry, Akademie Choir, Vienna Chamber Orchestra & Felix Prohaska
Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: iv. Recitative (Alto, Soprano, Tenor, Bass): O kalter Männer Sinn - Hilde Rossl-Majdan, Maja Weis-Osborn, Kurt Equiluz, Walter Berry, Akademie Choir, Vienna Chamber Orchestra & Felix Prohaska
Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: v. Aria (Soprano): Seele, deine Spezereien - Maja Weis-Osborn, Akademie Choir, Vienna Chamber Orchestra & Felix Prohaska
Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: vi. Recitative (Tenor, Bass, Alto): Hier ist die Gruft - Kurt Equiluz, Walter Berry, Hilde Rossl-Majdan, Akademie Choir, Vienna Chamber Orchestra & Felix Prohaska
263 Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: vii. Aria (Tenor): Sanfte soll mein Todeskummer - Kurt Equiluz, Akademie Choir, Vienna Chamber Orchestra & Felix Prohaska
Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: viii. Recitative (Soprano, Alto): Indessen seufzen wir - Maja Weis-Osborn, Hilde Rossl-Majdan, Akademie Choir, Vienna Chamber Orchestra & Felix Prohaska
Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: ix. Aria (Alto): Saget, saget mir geschwinde - Hilde Rossl-Majdan, Akademie Choir, Vienna Chamber Orchestra & Felix Prohaska
Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: x. Recitative (Bass): Wir sind erfreut - Walter Berry, Akademie Choir, Vienna Chamber Orchestra & Felix Prohaska
Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: xi. Chorus: Preis und Dank - Akademie Choir, Vienna Chamber Orchestra & Felix Prohaska
Cantata No.50: Nun ist das Heil und die Kraft (St. Michael), BWV50 - Orchestra of the Vienna State Opera, Choir of the Vienna State Opera & Felix Prohaska
Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: i. Chorus: Wachet! betet! betet! wachet! - Vienna State Opera Orchestra, Choir of the Bach Guild & Felix Prohaska
Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: ii. Recitative (Bass): Erschrecket, ihr verstockten Sünder - Norman Foster, Vienna State Opera Orchestra, Choir of the Bach Guild & Felix Prohaska
Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: iii. Aria (Alto): Wenn kömmt der Tag - Erika Wien, Vienna State Opera Orchestra, Choir of the Bach Guild & Felix Prohaska
Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: iv. Recitative (Tenor): Auch bei dem himmlischen Verlangen - Hugo Meyer-Welfing, Vienna State Opera Orchestra, Choir of the Bach Guild & Felix Prohaska
Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: v. Aria (Soprano): Laßt der Spötter Zungen schmähen - Anny Felbermayer, Vienna State Opera Orchestra, Choir of the Bach Guild & Felix Prohaska
Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: vi. Recitative (Tenor): Jedoch bei dem unartigen Geschlechte - Hugo Meyer-Welfing, Vienna State Opera Orchestra, Choir of the Bach Guild & Felix Prohaska
Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: vii. Chorale: Freu dich sehr, o meine Seele - Vienna State Opera Orchestra, Choir of the Bach Guild, Felix Prohaska* Vienna, State Opera Orchestra, Choir of the Bach Guild & Felix Prohaska
Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: viii. Aria (Tenor): Hebt euer Haupt empor - Hugo Meyer-Welfing, Vienna State Opera Orchestra, Choir of the Bach Guild & Felix Prohaska
Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: ix. Recitative (Bass): Ach, soll nicht dieser große Tag - Norman Foster, Vienna State Opera Orchestra, Choir of the Bach Guild & Felix Prohaska
Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: x. Aria (Bass): Seligster Erquickungstag - Norman Foster, Vienna State Opera Orchestra, Choir of the Bach Guild & Felix Prohaska
Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: xi. Chorale: Nicht nach Welt, nach Himmel nicht - Vienna State Opera Orchestra, Choir of the Bach Guild & Felix Prohaska
Cantata No. 53: Schlage doch, gewünschte Stunde, BWV53: Aria, “Schlage doch, gewunschte Stunde” - Maureen Forrester, I Solisti di Zagreb & Antonio Janigro
Passion According to St. John, BWV245: Aria, “Est ist vollbracht” - Maureen Forrester, I Solisti di Zagreb & Antonio Janigro
Cantata No. 54: Widerstehe doch der Sünde (Trinity), BWV 54: Aria, “Widerstehe doch der Sünde” - Maureen Forrester, I Solisti di Zagreb & Antonio Janigro
Passion According to St. Matthew, BWV244: Recitative, “Du Lieber Heiland” - Maureen Forrester, I Solisti di Zagreb & Antonio Janigro
Cantata No.55: Ich armer Mensch, ich Sündenknecht (22nd Sunday after Trinity), BWV55: Aria, 'Erbarme dich' - Maureen Forrester, I Solisti di Zagreb & Antonio Janigro
Cantata No. 54: Widerstehe doch der Sünde (Trinity), BWV 54: Recitative: “Die art verruchter Sünden” - Maureen Forrester, I Solisti di Zagreb & Antonio Janigro
Cantata No. 54: Widerstehe doch der Sünde (Trinity), BWV 54: Aria, “Wer Sunde tut” - Maureen Forrester, I Solisti di Zagreb & Antonio Janigro
Christmas Oratorio, BWV248: Aria, “Bereite dich, Zion” - Maureen Forrester, I Solisti di Zagreb & Antonio Janigro
Cantata No.169: Gott soll allein mein Herze habenn (18th Sunday after Trinity), BWV169: i. Sinfonia - Maureen Forrester, I Solisti di Zagreb, Antonio Janigro & Anton Heiller
Cantata No.169: Gott soll allein mein Herze habenn (18th Sunday after Trinity), BWV169: ii. Arioso (Alto): Gott soll allein mein Herze haben - Maureen Forrester, I Solisti di Zagreb, Antonio Janigro & Anton Heiller
Cantata No.169: Gott soll allein mein Herze habenn (18th Sunday after Trinity), BWV169: iii. Recitative (Alto): Was ist die Liebe Gottes? - Maureen Forrester, I Solisti di Zagreb, Antonio Janigro & Anton Heiller
Cantata No.169: Gott soll allein mein Herze habenn (18th Sunday after Trinity), BWV169: iv. Aria (Alto): Stirb in mir, Welt - Maureen Forrester, I Solisti di Zagreb, Antonio Janigro & Anton Heiller
Cantata No.169: Gott soll allein mein Herze habenn (18th Sunday after Trinity), BWV169: v. Recitative (Alto): Doch meint es auch dabei - Maureen Forrester, I Solisti di Zagreb, Antonio Janigro & Anton Heiller
Cantata No.169: Gott soll allein mein Herze habenn (18th Sunday after Trinity), BWV169: vi. Choral: Du süße Liebe, schenk uns deine Gunst - Maureen Forrester, I Solisti di Zagreb, Antonio Janigro & Anton Heiller